Bedienungsanleitung Casio PL-40R (Seite 26 von 50) (Englisch)

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Using the Sequencer

E-58

 Using the Realtime Record Mode to record to a track that

already contains data replaces the existing data with the

new recording.

 If you make a mistake while recording, you can start over

again from step 1 of the above procedure, or you can use

punch in recording (page E-59) to make modifications.

J To record without auto accompaniment

In step 5 of the above procedure, turn off auto

accompaniment (so none of the lamps above the MODE

button are lit).

 You can turn auto accompaniment on or off part way

through a recording, if you want.

J To use synchro start to start recording

At any time before you perform step 5 of the above

procedure, press the SYNCHRO START/STOP button.

 Both auto accompaniment and recording will start when

you play a chord in the accompaniment keyboard range

during record standby prior to step 7.

J To insert an intro, fill-in, break, etc.

You can use any of the following buttons during realtime

system track recording: INTRO, FILL-IN, BREAK,

VARIATION 1/2, SYNCHRO START/STOP, ENDING.

J To synchro start recording with an intro pattern

At any time before you perform step 5 of the above

procedure, press the SYNCHRO START/STOP button and

then press INTRO.

 Recording will start and the intro will play, followed by

auto accompaniment when you play a chord in the

accompaniment keyboard range during record standby

prior to step 7.

J To start rhythm pattern play part way through a

recording

In step 6 of the above procedure, turn off auto

accompaniment (so none of the lamps above the MODE

button are lit). After recording is started, press one of the

VARIATION 1/2 buttons to start rhythm play (without

chords). Now you can use the MODE button to select an auto

accompaniment mode and play chords on the

accompaniment keyboard.

Use Tracks 1 through 16 to add other parts to the

accompaniment and keyboard notes you record in the system

track. You can then turn tracks on and off during playback to

create the arrangement you want.

The recording procedure for tracks 1 through 16 is basically

the same as that for recording to the system track. Skip the

first two steps of the procedure if you go into the recording of

other tracks directly after you finish recording the system

track.

1. Press the SEQUENCER button.

 This causes the button’s indicator lamp to light,

indicating that sequencer is turned on.

2. Select the song area to which you want to

record.

 Use [+]/[–] buttons or the selector dial to select a

song area number in the range of 1 to 10.

 After a few seconds, the display changes to the

play standby. You can also display the play

standby by pressing the EXIT/NO button.

3. Select the track you want to record.

 Press the SEQUENCER button to display the

main menu, and then select “TrackSelect”.

 A track that already contains recorded data is

indicated on the display by “

∗

”.

 Use the [+] and [–] buttons or the selector dial to

select a track.

4. Specify the time signature and make any

metronome settings you want to use while

recording.

 You do not need to specify a time signature here

if you already have one recorded in the system

track.

 After you select a setting, press the SEQUENCER

button or the EXIT/NO button to return to the

play standby screen.

5. Make the piano control panel settings you want

to use when you start your recording.

 Select the tone and tempo setting using the same

procedures as those for normal keyboard play.

 The tempo setting you used for last track

recorded in a song is used as that song’s initial

default tempo setting for playback.

Other System Track Realtime Recording

Techniques

Realtime Recording to Tracks 1 to 16

426-E-060A

PL40NE01-1.book 58 ページ２００２年７月２３日　火曜日　午後６時５２分

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