Bedienungsanleitung Midas M32 (Seite 41 von 61) (Englisch)

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41 M32 DIGITAL CONSOLE User Manual

Wave Designer

Wave Designer is a powerful tool for adjusting signal transients and dynamics

such as attack and sustain. Use it to make a snare drum really crack in the

mix, or level out volume inconsistencies of slap bass tracks. Inspired by the SPL

TransientDesigner.

Adjusting the ATTACK push encoder can add punch or tame overly-dynamic

signals. Increasing SUSTAIN acts in a similar way to a compressor, allowing the

peaks to carry longer before decaying. The eect can also be used to reduce the

sustain for a more staccato sound. The GAIN push encoder compensates for level

changes caused by the eect.

Precision Limiter

This Stereo Precision Limiter allows you to set a precise volume limit, ensuring

distortion-free, optimal signal integrity. Use the M32’s Stereo Precision Limiter to

boost quiet signals or prevent clipping while preserving the level of ‘hot’ signals.

AUTOGAIN activates an additional long-term gain correction, allowing

automatic gain scaling of varying input level ranges. STEREO LINK applies

limiting to both channels equally when activated. INPUT GAIN provides up to

18dB of gain to the input signal prior to limiting. OUTPUT GAIN set the nal gain

level of the processed signal. SQUEEZE adds compression to the signal to add

punch and a slight distortion depending on the amount you dial in. ATTACK sets

the attack time, ranging from 0.05 ms to 1 ms. RELEASE adjusts the release time

from 0.05 ms to 1.04 seconds. KNEE adjusts the soft limiting threshold point

from hard limiting (0 dB) to maximum soft limiting (10 dB).

Stereo Combinator / Dual Combinator

The Combinator is an amazing ve-band compressor that emulates famous

broadcasting and mastering compressors. A highly complex processor,

theCombinator utilises automatic parameter control that produces stunning and

“inaudible” results.

Makeup-gain for each frequency band will automatically be adjusted by the

Spectral Balance Control (SBC) function, to maintain a balanced audio spectrum.

On the rst layer, Mix adjusts the overall eect on the input signal (100%equals

full compression) and Active enables or bypasses the eect. Attack/Release

adjusts the envelope times for the compressors of all ve bands. Auto sets

program dependent release times (Release time value is ignored). SBC On

activates ‘Spectral Balance Control’ which dynamically keeps the gain of all

bands in balance (auto Make-up gain adjustment). SBC Speed sets the speed of

the correction.

X-Over adjusts the boundary frequencies of the ve frequency bands. Negative

values result in more ‘resolution’ in the lower frequencies and positive values

increase resolution in the upper frequencies. The slope or steepness of the band

separation lters can be adjusted between 12 dB and 48 dB. Ratio sets the

compression Ratio for all ve bands (1.1 – 10, Limiter). SBC Meter switches

between SBC gain correction and compressor gain reduction displays.

On layer two, Threshold adds a relative oset threshold to all individual

band thresholds. This allows adjusting compression amount for all bands

simultaneously. Gain adjusts overall output gain. Peak Meter toggles between

compressor peak reduction and band peak-meter displays. Band Sel selects

one out of the ve frequency bands, and Band Solo allows listening to the

selected band (with the other four bands mute). Band Thr and Band Gain

adjust the threshold and makeup-gain of the selected band. Band Lock disables

compression for the selected band. Pressing the Band Reset encoder will

disable Band Lock and reset Band Thr and Band Gain to zero for the selected

band. Note that this is not dependant on Band Solo and neither is Solo mode

aected by Band Reset.

Fair Comp / M/S Fair Comp / Dual Fair Comp

The Fairchild 670 tube compressor not only achieves record bids in high-

end vintage gear auctions, it also delivers some of the nest colourations in

compressor history. Two small trim VRs preset the control side chain action, a

six-step switch determines the timing, and the two large Input and Threshold

knobs adjust the levels. Our FAIR COMPRESSOR model is true to the original signal

path, and conveniently provides models for dual, stereo-linked or M/S operation.

Inspired by Fairchild 670.

INPUT GAIN determines how much of the input signal passes through the eect.

ACTIVE toggles the eect in or out of the signal path. THRESHOLD determines

how loud the signal has to be before compression is applied. TIME switches the

compression’s release time. BIAS changes the simulated tube bias algorithm.

OUT GAIN aects the gain of the output signal.

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Midas M32 Seite 41

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