Bedienungsanleitung Midas M32 (Seite 39 von 61) (Englisch)

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39 M32 DIGITAL CONSOLE User Manual

The BALANCE push encoder adjusts the balance between anger and reverb.

Low frequencies can be excluded with the LO CUT push encoder, and the MIX

push encoder adjusts how much of the eect is added to the signal. SPEED,

DELAY and DEPTH adjust the rate, delay and modulation depth of the anger.

FEEDback can be adjusted by positive and negative amounts. The LFO PHASE

between the left and right channels can be oset by up to 180°. The PREDELAY

push encoder determines the delay before the reverb aects the signal. The

DECAY push encoder adjusts how quickly the reverb fades. SIZE controls the

size of the simulated space (room, cathedral, etc.). The DAMPING push encoder

determines the decay of high frequencies within the reverb tail.

Delay + Chorus

This combination eect merges a user-denable delay (echo) with a studio-

quality chorus, sure to fatten up even the skinniest track. Uses only one FX slot.

Inspired by the TC Electronic D-Two.

The TIME push encoder adjusts the delay time, and the PATTERN push encoder

sets the delay ratio for the right channel and negative values activate a cross

feedback between the two channels. The FEEDHC push encoder adjusts the delay

high-cut frequency, while FEEDBACK adjusts the number of repeats. The X-FEED

control allows you to send the delay sound to the chorus eect. The BALANCE

push encoder adjusts the ratio between delay and chorus. SPEED, DELAY and

DEPTH adjust the rate, delay and modulation depth of the chorus. The right

channel LFO PHASE can be oset by up to 180°, and WAVE adjusts the chorus

character by shaping the LFO waveform from sine wave to triangular wave. Use

the MIX push encoder to blend the aected signal with the dry sound.

Delay + Flanger

This handy dynamic duo blends the ‘whoosh’ of soaring jet planes with classic

delay, and can be adjusted from mild to wild. This combination eect only takes

up one FX slot. Inspired by the TC Electronic D-Two.

The TIME push encoder adjusts the delay time, and the PATTERN push encoder

sets the delay ratio for the right channel and negative values activate a cross

feedback between the two channels. The FEEDHC push encoder adjusts the delay

high-cut frequency, while FEEDBACK adjusts the number of repeats. The X-FEED

control allows you to send the delay sound to the chorus eect. The BALANCE

push encoder adjusts the ratio between delay and chorus. SPEED, DELAY and

DEPTH adjust the rate, delay and modulation depth of the chorus. The right

channel LFO PHASE can be oset by up to 180°, and FEED (positive and negative

amounts) adjusts the feedback eect. Use the MIX push encoder to blend the

aected signal with the dry sound.

Modulation Delay

Combining echo and chorus (and in this case, reverb too) is the domain of the

Modulation Delay. By combining the two, you can get the best of both worlds in

one, dreamy-sounding eect.

The controls are separated onto two layers; layer one for the delay, and layer

two for the chorus. Use Balance to sweep between how much of either eect

is present in the output signal. Navigate to layer two by using the navigational

control buttons. Use the PAR / SER function to switch between Parallel and

Serial modes. In Parallel mode the input signal is routed both to the modulated

delay and the reverb inputs. In Serial mode the modulated delay output is routed

to the reverb input. (When balance is set to -100 there is no audible dierence

between the two modes since in this case only the modulated reverb is audible.)

On layer one Time adjusts the time of the delay, whereas Feed controls how

many echoes follow the input signal. Lo Cut and Hi Cut are, as the names

suggest, low cut and high cut lters for the aected signal. On both, Mix dictates

how much of the aected signal is sent to the output bus.

On layer two Depth controls the depth of the chorus eect, Rate controls the

speed of the modulation, and Decay controls the length of time after the initial

signal where the eect is present. Damping reduces the level of the higher

frequencies in the output.

The type of reverb can be switched by pressing either of the third, fourth or fth

push encoders.

Dual Graphic EQ / Stereo Graphic EQ / Dual TruEQ /

Stereo TruEQ

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Midas M32 Seite 39

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