Bedienungsanleitung Midas M32 (Seite 38 von 61) (Englisch)

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38 M32 DIGITAL CONSOLE User Manual

Rotary Speaker

Rotary Speaker emulates the sound of a Leslie rotating speaker. The M32’s Rotary

Speaker provides more exibility than its electro-mechanical counterpart, and

can be used with a variety of instruments, and even vocals, to create a whirling,

psychedelic eect.

The LO SPEED and HI SPEED push encoders adjust the rotation speed of the

Slow and Fast speed selection, and can be toggled with the FAST button.

The ACCEL(eration) push encoder adjust how quickly the speed increases

and decreases from the Slow mode to the Fast mode. The rotation eect can

also be disengaged with the STOP button, which will stop the movement of

thespeakers.

DISTANCE adjust the perceived distance between the speakers and the virtual

microphone. BALANCE sweeps between low and high frequencies in the

output signal. MIX determines how much of the aected signal is present in the

outputaudio.

Tremolo / Panner

Stereo Tremolo creates an up and down volume change at a constant and even

tempo just like the guitar amps of yesteryear. Use the M32’s Stereo Tremolo to

add a unique ‘surf-music’ texture to a vocal or instrumental track.

SPEED adjusts the LFO rate, and DEPTH sets the amount of modulation.

PHASEcan be used to set an LFO phase dierence between the left and right

channels, which can be used for panning eects. The WAVE push encoder blends

the LFO waveform between triangular and square shapes. The signal envelope ,

shaped by ATTACK, HOLD and RELEASE, can be used to modulate the LFO speed

(ENV SPD) and the LFO modulation depth (ENV DPTH).

Suboctaver

The Octave Eect combines the input signal with a digitally synthesised sound

one or two octaves below the original signal. This can be used to thicken up

guitar sounds, or to add extra ‘punch’ to kick drums.

The controls for the Suboctaver are split between two discreet layers.

Pressingthe rst push encoder toggles the eect for each layer on or o.

Thesecond encoder increases the amount of the aected signal that is present

in the output mix. The third encoder switches the range of the signal between

LO, MID and HI. The fourth and fth encoders adjust the level for each of the

individual lower octaves. To navigate between the two layers, use the up and

down navigationalcontrols.

Delay + Chamber

Here we have combined Delay and Chamber reverb, so that a single device can

supply a variety of delay settings, plus add just the right amount of reverb to

the selected signal. This device only uses one eects slot. Inspired by the Lexicon

PCM70.

Use the BALANCE push encoder to adjust the ration between delay and reverb.

Low frequencies can be excluded with the LO CUT push encoder, and MIX

adjust how much of the eect is added to the output signal. The TIME push

encoder adjusts the delay time for the left channel delay, and PATTERN sets

the delay ratio for the right channel delay. Adjust the FEEDBACK and trim some

high frequencies with the FEED HC (high-cut) push encoder. The XFEED push

encoder allows you to send the delay sound to the reverb eect, so instead of

running completely parallel, the reverb aects the echoes to a selected degree.

The PREDELAY push encoder determines the delay before the reverb aects

the signal. The DECAY push encoder adjusts how quickly the reverb fades.

SIZE controls how large or small the simulated space (room, cathedral, etc.).

TheDAMPING push encoder determines the decay of high frequencies within

the reverb tail.

Chorus + Chamber

Taking up only one FX slot, the Chorus + Chamber eect combines the shimmer

and doubling characteristics of a studio-grade chorus with the sweet sound of a

traditional chamber reverb. Inspired by the Lexicon PCM 70.

The BALANCE push encoder adjusts the balance between chorus and reverb.

Low frequencies can be excluded with the LO CUT push encoder, and the MIX

push encoder adjusts how much of the eect is added to the signal. SPEED,

DELAY and DEPTH adjust the rate, delay and modulation depth of the chorus.

The LFO PHASE between the left and right channels can be oset by up to

180°, and WAVE adjusts the LFO waveform from a sine wave to a triangular

wave. The PREDELAY push encoder determines the delay before the reverb

aects the signal. The DECAY push encoder adjusts how quickly the reverb

fades. SIZEcontrols the size of the simulated space (room, cathedral, etc.).

TheDAMPING push encoder determines the decay of high frequencies within

the reverb tail.

Flanger + Chamber

Add the mind-bending, lter-sweeping eect of a state-of-the-art anger to the

elegant sweetening of a traditional chamber reverb - all in one FX slot. Inspired by

the Lexicon PCM 70.

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Midas M32 Seite 38

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