Bedienungsanleitung Midas M32 (Seite 37 von 61) (Englisch)

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37 M32 DIGITAL CONSOLE User Manual

Stereo Chorus

Chorus samples the input, slightly detunes it and mixes it with the original

signal to produce a somewhat thicker, shimmering sound. Use it to thicken up

background vocals, or to double the sound of brass and woodwind instruments.

Whereas DELAY L / R set the total amount of delay for the left and right

channels, WIDTH L / R determines the amount of modulated delay taken from

either the left or right channels. SPEED sets the modulation speed, MIX adjusts

the balance of dry and wet signals. You can further sculpt the sound by trimming

some of the low- and high-end of the aected signal with the LO CUT and

HI CUT push encoders. Additionally the PHASE push encoder can tweak the

phase oset of the LFO between left and right channels, and the SPREAD push

encoder adjusts how much of the left channel is mixed into the right, and vice

versa. Finally the WAVE push encoder blends between the ‘Danish’ style digital

triangular chorus sound and the classic analogue sine wave.

Stereo Flanger

The Flanger emulates the phase-shifting sound (comb-ltering) originally

created by applying pressure against the ange of the reel on a tape recorder.

This eect creates a unique ‘wobbly’ sound that is quite dramatic when used on

vocals and instruments.

The controls of this eect are nearly identical to the controls on the Chorus eect

block. Additionally, the FEEDBACK can be adjusted with positive and negative

amounts, and also band-limited with the FEED HC (high-cut) and FEED LC (low

cut) push encoders.

Stereo Phaser

A Stereo Phaser, or phase shaper, applies multiple STAGES of modulated lters to

the input signal to create a ‘notch’ in the frequency response, and then applies a

MIX with the original for a ‘swirling’ eect. Use the M32’s Stereo Phaser to add a

‘spaced-out’ sound to vocal or instrumental tracks.

SPEED sets the LFO rate and DEPTH sets the LFO modulation depth.

TheBASE push encoder adjusts the frequency range of the modulation lters.

Theresonance is adjusted with the RESO push encoder. STAGES determines the

number of times the audio signal is processed by the eect. MIX determines how

much of the aected signal is present in the output audio.

The WAVE push encoder shapes the symmetry of the LFO waveform, andPHASE

dials in an LFO phase dierence between the left and right channels.

Themodulation source can also be the signal envelope, which produces

vowel-like opening and closing tones. The ENV MOD push encoder adjusts how

much of this eect takes place (positive and negative modulation is possible),

andthe ATTACK, HOLD and RELEASE push encoders all tailor the response of

thisfeature.

Dimension-C

Chorus samples the input, slightly detunes it and mixes it with the original

signal to produce a somewhat thicker, shimmering sound. Use it to thicken up

background vocals, or to double the sound of brass and woodwind instruments.

Inspired by the Roland Dimension D.

Turning the rst push encoder to toggle the output signal between Mono and

STereo. Pressing the rst encoder turns the eect on or o. Pressing the second

encoder turns dry mode on or o. Pressing the third, fourth or fth push encoders

engages the chorus eect with increasing intensity.

Mood Filter

The Mood Filter uses an LFO generator and an auto-envelope generator to

control a VCF (voltage-control lter), as well as a side-chain function, where the

channel B signal controls the envelope of channel A. When applied to electronic

instruments, the Mood Filter can be used to emulate the natural sound of

acoustic instruments. Inspired by the MiniMoog.

This lter can be modulated with the signal’s envelope using the ENV MOD

(withpositive and negative amounts), ATTACK and RELEASE push encoders,

orthe LFO can modulate the lter. The WAVE push encoder selects between

seven dierent waveforms - triangular, sine, saw plus, saw minus, ramp,

squareand random. The PHASE can be oset by up to 180°. The SPEED push

encoder adjusts the rate of the LFO, and DEPTH adjusts the amount of LFO

modulation. Adjust the resonance of the lter until self-oscillation with the

RESO(nance) push encoder. BASE adjusts the range of the lter from 20 Hz

to 15 kHz. The MODE switch selects between low-pass (LP), high-pass (HP),

band-pass (BP) and Notch. Usethe MIX push encoder to blend the aected signal

with the dry sound. With the 4 POLE switch engaged there will be a steeper

slope than the 2 POLE setting. The DRIVE push encoder adjusts the level, and

can also introduce an overdrive eect (as with real analogue lters) if pushed

hard. InSide-chain mode, only the left input signal is processed and fed to both

outputs. The envelope of the right input signal can be used as a modulation

source. Applying the SIDE CHAIN function ensures that the parameters of the

eect are changed based on an external stimulus signal.

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Midas M32 Seite 37

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