Bedienungsanleitung NAD M17 AV (Seite 25 von 38) (Englisch)

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DOLBY SETUP

Under this menu, the Dolby Digital’s Dynamic Range Control can be

adjusted as well as the settings for Dolby Digital Pro Logic IIx Music.

Dyn Range Ctrl: You can select the eective dynamic range (subjective

range from soft to loud) for playback of Dolby Digital soundtracks. For

fully cinematic eect, always select 100%, the default. Settings of 75%,

50%, and 25% progressively reduce dynamic range, making soft sounds

comparatively louder while limiting the peak loudness of loud ones.

The 25% setting will yield the least dynamic range and is best for late-

night sessions or other times when you wish to retain maximum dialog

intelligibility while minimizing overall volume levels.

For Dolby TrueHD sources, set the Dynamic Range Control to “Auto”.

Dolby Pro Logic IIx Music: Please refer to the same description of

“PLIIx Music” under the “ADJUSTING LISTENING MODES” segment of the

“OPERATION - USING THE M17 - MAIN MENU”.

DTS SETUP

Under this menu, the Dynamic Range Control of DTS Digital Surround can

be adjusted as well as the settings for DTS Neo: 6 Music.

Dyn Range Ctrl: This is the same congurable Dynamic Range Control

feature as described above at Dolby Setup, the only dierence being

the soundtrack is now in DTS format.

DTS Neo: 6 Music: Please refer to the same description of “NEO 6:

Music” under the “ADJUSTING LISTENING MODES” segment of the

“OPERATION - USING THE M17 - MAIN MENU”.

DTS SURROUND MODES

The following are further descriptions about the DTS surround modes.

DTSHD MASTER AUDIO

DTS-HD Master Audio is a technology that delivers master audio sources

recorded in a professional studio to listeners without any loss of data,

preserving audio quality. DTS-HD Master Audio adopts variable data

transfer rates, facilitating data transfer to the maximum rate of 24.5 Mbps

in the Blu-ray disc format, 18.0 Mbps in the HD-DVD format, which by

far exceeds that of a standard DVD. These high data transfer rates enable

lossless transmission of 96 kHz/24-bit 7.1-channel audio sources without

deteriorating the quality of the original sound. DTS-HD Master Audio is an

irreplaceable technology that can reproduce sound faithfully as intended

by the creator of music or movies.

DTS  ES EXTENDED SURROUND ™ DTS ES

This is a new multi-channel digital format which greatly improves the 360°

spatial sensation of the Surround impression thanks to the greater space

expansion of the surround signals, providing high compatibility with the

conventional DTS format.

In addition to the 5.1 channels, the expanded DTS-ES Surround also

oers the back surround (also sometimes called the “surround center”)

in reproduction, providing a total of 6.1 channels. The expanded DTS-ES

Surround includes two formats, with two dierent methods of surround

signal recording, as follows:

DTSES™ DISCRETE 6.1

Since the signals of the 6.1 Surround channels (including the back channel)

are completely independent, it is possible to achieve the sensation that the

acoustic image is moving about freely among the background sounds, 360

degrees surrounding the listener.

Although maximum quality is achieved with sound tracks recorded using

this system and reproduced using the DTS-ES decoder, when played with

a conventional DTS decoder, the back surround channel is automatically

down mixed in the surround right and surround left channels of the

surround system, in such a way that none of the signal components are

lost.

DTS  ES™ MATRIX 6.1

In this format, the additional signals of the back channel receive a matrix

encoding and are inputted into the right and left surround channels.

During reproduction they are decoded to the right, left and back surround

channels.

Since this bit-stream format is 100% compatible with conventional DTS

signals, the DTS-ES Matrix 6.1 format eect can also be achieved from

sources with DTS-ES 5.1 signals.

Naturally, it is also possible to reproduce from a DTS 5.1 channel decoder,

signals recorded in DTS-ES 6.1.

When a DTS-ES decoder processes a discrete DTS-ES 6.1 or in Matrix 6.1,

these formats are automatically detected and the Optimum Surround

mode is selected. However, some DTS-ES Matrix 6.1 sources may be

detected as DTS. In this case the DTS-ES Matrix mode should be selected

manually in order to reproduce them.

OPERATION

USING THE M17  SETUP MENU

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