Bedienungsanleitung Roland BK-9 Tone Drum Kit List (Seite 51 von 64) (Englisch, Holländisch)

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MFX types and parameters

frequencies above the cuto. NOTCH: frequencies other than

the region of the cuto.

z Filter Slope (–12, –24, –36 [dB]) —Amount of attenuation per

octave: –36dB: extremely steep, –24dB: steep, –12dB: gentle.

z Filter Resonance (0~127) —Filter resonance level. Increasing

this value will emphasize the region near the cuto frequency.

z Filter Gain (0~12 [dB]) —Amount of boost for the lter output.

z Level (0~127) —Output level.

46. Humanizer

Adds a vowel character to the sound, making it similar to a human

voice.

z Drive Sw (OFF,ON) —Turns Drive on/o.

z Drive (0~127) —Degree of distortion. Also changes the volume.

z Vowel 1 (a, e, i, o, u)

z Vowel 2 (a, e, i, o, u) —Selects the vowel.

z Rate [sync] (Hz, Note) —Use this parameter to specify whether

(“Note”) or not (“Hz”) the rate should be synchronized to the

Arranger or Recorder tempo. Depending on your choice, the

setting range of the following parameter refers to a speed (Hz)

or a note value.

z Rate [Hz] (0.05~10.00Hz) —Frequency at which the two vowels

switch.

z Rate [note] (musical notes) —Rate parameters can be set as a

note-value of a tempo if you set the “Sync” parameter above to

“Note”. Specify the value of the desired note.

z Depth (0~127) —Eect depth.

z Input Sync Sw (O, On) —Determines whether the LFO for

switching the vowels is reset by the input signal (ON) or not

(OFF).

z Input Sync Threshold (0~127) —Volume level at which reset is

applied.

z Manual (0~100) —Point at which Vowel 1/2 switch. 49 or less:

Vowel 1 will have a longer duration. 50: Vowel 1 and 2 will be of

equal duration. 50 or more: Vowel 2 will have a longer duration.

z EQ EQ Low Gain (–15dB~0~15dB) —Gain of the low frequency

range.

z EQ EQ High Gain (–15dB~0~15dB) —Gain of the high

frequency range.

z Panpot (L64~0~63R) —Stereo location of the output sound.

This is a mono eect that combines incoming signals. You can,

however, place the processed signal anywhere between the left

and right channels.

z Level (0~127)—Output level.

47. Speaker Sim

Simulates the speaker type and mic settings used to record the

speaker sound.

z Speaker Type —Select the type of speaker. The specications

of each type are as follows. The speaker column indicates the

diameter of each speaker unit (in inches) and the number of

units.

Type Cabinet Speaker Microphone

Small 1 small open-back enclosure 10 dynamic mic

Middle open back enclosure 12 x 1 dynamic mic

JC-120 open back enclosure 12 x 2 dynamic mic

Built In 1 open back enclosure 12 x 2 dynamic mic

Built In 2 open back enclosure 12 x 2 condenser mic

Built In 3 open back enclosure 12 x 2 condenser mic

Built In 4 open back enclosure 12 x 2 condenser mic

Type Cabinet Speaker Microphone

Built In 5 open back enclosure 12 x 2 condenser mic

BG Stack 1 sealed enclosure 12 x 4 condenser mic

BG Stack 2 large sealed enclosure 12 x 4 condenser mic

MS Stack 1 large sealed enclosure 12 x 4 condenser mic

MS Stack 2 large sealed enclosure 12 x 4 condenser mic

Metal Stk large double stack 12 x 4 condenser mic

Small 1 large sealed enclosure 12 x 4 condenser mic

Small 2 large sealed enclosure 12 x 4 condenser mic

z Mic Setting (1, 2, 3) —Adjusts the location of the mic that is

recording the sound of the speaker. This can be adjusted in

three steps, with the mic becoming more distant in the order of

1, 2 and 3.

z Mic Level (0~127) —Volume of the microphone.

z Direct Level (0~127) —Volume of the direct sound.

z Level (0~127) —Output level. 48. Step Phaser. The phaser eect

will be varied gradually.

z Phaser Mode (4-Stage, 8-Stage, 12-Stage) —Number of stages

in the phaser.

z Phaser Manual (0~127) —Adjusts the basic frequency from

which the sound will be modulated.

z Step Rate [sync] (Hz, Note) —Use this parameter to specify

whether (“Note”) or not (“Hz”) the modulation rate should be

synchronized to the Arranger or Recorder tempo. Depending on

your choice, the setting range of the following parameter refers

to a speed (Hz) or a note value.

z Step Rate [Hz] (0.05~10.00Hz) —Frequency, i.e. modulation

speed.

z Step Rate [note] (musical notes) —Rate parameters can be set

as a note-value of a tempo if you set the “Sync” parameter above

to “Note”. Specify the value of the desired note.

z Depth (0~127) —Depth of modulation.

z Polarity (Inverse, Synchro) —Selects whether the left and right

phase of the modulation will be the same or the opposite.

INVERSE: The left and right phase will be opposite. When using

a mono source, this spreads the sound. SYNCHRO: The left and

right phase will be the same. Select this when inputting a stereo

source

z Resonance (0~127) —Amount of feedback.

z Cross Feedback (–98%~0~+98%) —Adjusts the proportion of

the phaser sound that is fed back into the eect. Negative (–)

settings will invert the phase.

z Step Rate [sync] (Hz, Note) —Use this parameter to specify

whether (“Note”) or not (“Hz”) the step rate should be

synchronized to the Arranger or Recorder tempo. Depending on

your choice, the setting range of the following parameter refers

to a speed (Hz) or a note value.

z Step Rate [Hz] (0.10~20.00Hz) —Rate of the step-wise change

in the phaser eect.

z Step Rate [note] (Musical Notes) —Rate parameters can be set

as a note-value of a tempo if you set the “Sync” parameter above

to “Note”. Specify the value of the desired note.

z Mix Level (0~127) —Level of the phase-shifted sound.

z EQ Low Gain (–15dB~0~15dB) —Gain of the low frequency

range.

z EQ High Gain (–15dB~0~15dB) —Gain of the high frequency

range.

z Level (0~127) —Output level.

49. MLT Phaser

Extremely high settings of the phase dierence produce a deep

phaser eect.

z Phaser Mode (4-stage, 8-stage, 12-stage, 16-stage, 20-stage,

24- stage) —Number of stages in the phaser.

Roland BK-9 Tone Drum Kit List Seite 51

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