Bedienungsanleitung Roland BK-9 Tone Drum Kit List (Seite 58 von 64) (Englisch, Holländisch)

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MFX types and parameters

z Delay 1 Level (0~127)

z Delay 2 Level (0~127) —Volume of the tap delay sounds. EQ

Low Gain (–15dB~0~15dB) —Gain of the low frequency range.

z EQ High Gain (–15dB~0~15dB) —Gain of the high frequency

range.

z Balance (D100:0W, D50:50W, D0:100W) —Volume balance

between the direct (D) and the eect sound (W).

z Level (0~127) —Output level.

72. Shue DLY

Adds a shue to the delay sound, giving the sound a bouncy delay

eect with a swing feel.

z Delay Time [sync] (msec, Note) —Use this parameter to specify

whether (“Note”) or not (“msec”) the delay time should be

synchronized to the Arranger or Recorder tempo. Depending on

your choice, the setting range of the following parameter refers

to a time or a note value.

z Delay Time [msec] (0~2600ms) —Adjusts the time until the

delayis heard.

z Delay Time [note] (Musical Notes) —Delay times can be set as a

note-value of a tempo, if you set the “Sync” parameter above to

“Note”. Specify the value of the desired note.

z Shue Rate (0~100%) —Adjusts the ratio (as a percentage)

ofthe time that elapses before Delay B sounds relative to the

timethat elapses before the Delay A sounds. When set to 100%,

thedelay times are the same.

z Acceleration (0~15) —Adjusts the time over which the

DelayTime changes from the current setting to its specied new

setting.

z Feedback (–98%~0~+98%) —Adjusts the amount of the

delaysound that’s fed back into the eect. Negative (–) settings

invert the phase.

z HF Damp (200~8000Hz, Bypass) —Adjusts the frequency

above which sound fed back to the eect is ltered out. If you

don’t want to lter out any high frequencies, set this parameter

to BYPASS.

z Panpot A (L64~0~63R)

z Panpot B (L64~0~63R) —Stereo location of Delay A/B.

z Level A (0~127)

z Level B (0~127) —Volume of delay A/B.

z EQ Low Gain (–15dB~0~15dB) —Gain of the low frequency

range.

z EQ High Gain (–15dB~0~15dB) —Gain of the high

frequencyrange.

z Balance (D100:0W, D50:50W, D0:100W) —Volume balance

between the direct (D) and the eect sound (W).

z Level (0~127) —Output level.

73. 3D Delay

This applies a 3D eect to the delay sound. The delay sound will be

positioned 90 degrees left and 90 degrees right.

z Delay Left Time [sync] (msec, Note) —Use this parameter to

specify whether (“Note”) or not (“msec”) the left delay time

should be synchronized to the Arranger or Recorder tempo.

Depending on your choice, the setting range of the following

parameter refers to a time or a note value.

z Delay Left Time [msec] (0~2600ms) —Adjust the time from the

direct sound until when the left delay sound is heard.

z Delay Left Time [note] (musical notes) —Delay times can be

set as a note-value of a tempo, if you set the “Sync” parameter

above to “Note”. Specify the value of the desired note.

z Delay Right Time [sync] (msec, Note) —Use this parameter to

specify whether (“Note”) or not (“msec”) the right delay time

should be synchronized to the Arranger or Recorder tempo.

Depending on your choice, the setting range of the following

parameter refers to a time or a note value.

z Delay Right Time [msec] (0~2600ms) —Adjust the time from

the direct sound until when the right delay sound is heard.

z Delay Right Time [note] (musical notes) —Delay times can be

set as a note-value of a tempo, if you set the “Sync” parameter

above to “Note”. Specify the value of the desired note.

z Delay Center Time [sync] (msec, Note) —Use this parameter to

specify whether (“Note”) or not (“msec”) the center delay time

should be synchronized to the Arranger or Recorder tempo.

Depending on your choice, the setting range of the following

parameter refers to a time or a note value.

z Delay Center Time (msec) 0~2600 [ms] —Adjust the time delay

from the direct sound until when the center delay sound is

heard.

z Delay Center Time [note] (musical notes) —Delay times can be

set as a note-value of a tempo, if you set the “Sync” parameter

above to “Note”. Specify the value of the desired note.

z Center Feedback (–98%~0~+98%) —Adjusts the amount of the

delay sound that’s fed back into the eect. Negative (–) settings

invert the phase.

z Delay HF Damp (200~8000Hz, Bypass) —Adjusts the frequency

above which sound fed back to the eect is ltered out. If you

don’t want to lter out any high frequencies, set this parameter

to BYPASS.

z Left Level (0~127)

z Right Level (0~127)

z Center Level (0~127) —Output level of the delay sound.

z Output Mode (Speaker, Phones) —Adjusts the method that will

be used to hear the sound that is output to the OUTPUT jacks.

The optimal 3D eect will be achieved if you select SPEAKER

when using speakers or PHONES when using headphones.

z EQ Low Gain (–15dB~0~15dB) —Gain of the low frequency

range.

z EQ High Gain (–15dB~0~15dB) —Gain of the high frequenc

range.

z Balance (D100:0W, D50:50W, D0:100W) —Volume balance

between the direct (D) and the eect sound (W).

z Level (0~127) —Output level.

74. Long Time DLY

A delay in which the delay time can be varied smoothly and

allowing an extended delay to be produced.

z Delay Time [sync] (msec, Note) —Use this parameter to specify

whether (“Note”) or not (“msec”) the delay time should be

synchronized to the Arranger or Recorder tempo. Depending on

your choice, the setting range of the following parameter refers

to a time or a note value.

z Delay Time [msec] (0~2600ms) —Adjusts the time until the

delay is heard.

z Delay Time [note] (Musical Notes) —Delay times can be set as a

note-value of a tempo, if you set the “Sync” parameter above to

“Note”. Specify the value of the desired note.

z Delay Acceleration (0~15) —Adjusts the time over which the

Delay Time changes from the current setting to a specied new

setting. The rate of change for the Delay Time directly aects the

rate of pitch change.

z Feedback (–98%~0~+98%) —Adjusts the amount of the delay

sound that’s fed back into the eect. Negative (–) settings invert

the phase.

z Delay HF Damp (200~8000Hz, Bypass) —Adjusts the frequency

above which sound fed back to the eect is ltered out. If you

don’t want to lter out any high frequencies, set this parameter

to BYPASS.

z Panpot (L64~0~63R) —Stereo location of the output sound.

This is a mono eect that combines incoming signals. You can,

however, place the processed signal anywhere between the left

Roland BK-9 Tone Drum Kit List Seite 58

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