Bedienungsanleitung Roland BK-9 Tone Drum Kit List (Seite 60 von 64) (Englisch, Holländisch)

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MFX types and parameters

80. Phonograph

Simulates a sound recorded on an analog record and played

back on a record player. This eect also simulates the various

types of noise that are typical of a record and even the rotational

irregularities of an old turntable.

z Signal Distortion (0~127) —Depth of distortion.

z Frequency Range (0~127) —Frequency response of the

playback system. Decreasing this value will produce the

impression of an old system with a poor frequency response.

z Disc Type (LP, EP, SP) —Rotational speed of the turntable. This

will aect the frequency of the scratch noise.

z Scratch Noise Level (0~127) —Amount of noise due to

scratches on the record.

z Dust Noise Level (0~127) —Volume of noise due to dust on the

record.

z Hiss Noise Level (0~127) —Volume of continuous “hiss”.

z Total Noise Level (0~127) —Volume of overall noise.

z Wow (0~127) —Depth of long-cycle rotational irregularity.

z Flutter (0~127) —Depth of short-cycle rotational irregularity.

z Random (0~127) —Depth of indenite-cycle rotational

irregularity.

z Total Wow/Flutter (0~127) —Depth of overall rotational

irregularity.

z Balance (D100:0W, D50:50W, D0:100W) —Volume balance

between the direct (D) and the eect sound (W).

z Level (0~127) —Output level.

81. Step Pitch

A pitch shifter in which the amount of pitch shift is varied by a 16-

step sequence.

z Step 1~16 (–24~0~12 semitones) —Amount of pitch shift at

each step (semitone units)

z Rate [sync] (Hz, Note) —Use this parameter to specify whether

(“Note”) or not (“Hz”) the rate should be synchronized to the

Arranger or Recorder tempo. Depending on your choice, the

setting range of the following parameter refers to a speed (Hz)

or a note value.

z Rate [Hz] (0.05~10.00Hz) —Rate at which the 16-step sequence

will cycle.

z Rate [note] (musical notes) —Rate parameters can be set as a

note-value of a tempo if you set the “Sync” parameter above to

“Note”. Specify the value of the desired note.

z Attack (0~127) —Speed at which the amount of pitch shift

changes between steps.

z Gate Time (0~127) —Duration of the pitch shifted sound at

each step.

z Fine (–100~100) —Pitch shift adjustment for all steps (2-cent

units).

z Delay Time [sync] (msec, Note) —Use this parameter to specify

whether (“Note”) or not (“msec”) the delay time should be

synchronized to the Arranger or Recorder tempo. Depending on

your choice, the setting range of the following parameter refers

to a time or a note value.

z Delay Time [msec] (0~1300ms) —Delay time from the original

sound until the pitch-shifted sound is heard.

z Delay Time [note] (Musical Notes) —Delay times can be set as a

note-value of a tempo, if you set the “Sync” parameter above to

“Note”. Specify the value of the desired note.

z Feedback (–98%~0~+98%) —Proportion of the pitch-shifted

sound that is to be returned to the input (negative values invert

the phase).

z EQ Low Gain (–15dB~0~15dB) —Gain of the low frequency

range.

z EQ High Gain (–15dB~0~15dB) —Gain of the high frequency

range.

z Balance (D100:0W, D50:50W, D0:100W) —Volume balance

between the direct (D) and the eect sound (W).

z Level (0~127) —Output level.

82. Sympa Reso

On an acoustic piano, holding down the damper pedal allows

other strings to resonate in sympathy with the notes you play,

creating rich and spacious resonances. This eect simulates these

sympathetic resonances.

z Depth (0~127) —Depth of the eect.

z Damper (0~127) —Depth to which the damper pedal is pressed

(controls the resonant sound).

z Pre LPF (16~15000Hz, Bypass) —Frequency of the lter that

cuts the high-frequency content of the input sound (BYPASS: no

cut).

z Pre HPF (16~15000Hz, Bypass) —Frequency of the lter that

cuts the low-frequency content of the input sound (BYPASS: no

cut).

z Peaking Freq (200~8000Hz, Bypass) —Frequency of the lter

that boosts/cuts a specic frequency region of the input sound.

z Peaking Gain (–15dB~0~15dB) —Amount of boost/cut

produced by the lter at the specied frequency region of the

input sound.

z Peaking Q (0.5, 1.0, 2.0, 4.0, 8.0) —Width of the frequency

region boosted/cut by the ‘Peaking Gain’ parameter (larger

values make the region narrower).

z HF Damp (16~15000Hz, Bypass) —Frequency at which the

highfrequency content of the resonant sound will be cut

(BYPASS: no cut).

z LF Damp (16~15000Hz, Bypass) —Frequency at which the

lowfrequency content of the resonant sound will be cut

(BYPASS: no cut).

z Lid (6, 5, 4, 3, 2, 1) —This simulates the actual changes in sound

that occur when the lid of a grand piano is set at dierent

heights.

z EQ Low Frequency (200Hz, 400Hz) —Frequency of the low-

range EQ.

z EQ Low Gain (–15dB~0~15dB) —Amount of low-range boost/

cut.

z EQ Mid Frequency (200~8000Hz) —Frequency of the

midrange EQ.

z EQ Mid Gain (–15dB~0~15dB) —Amount of midrange boost/

cut.

z EQ Mid Q (0.5, 1.0, 2.0, 4.0, 8.0) —Width of midrange (larger

values make the region narrower).

z EQ High Frequency (2000Hz, 4000Hz, 8000Hz) —Frequency of

the high-range EQ.

z EQ High Gain (–15dB~0~15dB) —Amount of high-range boost/

cut.

z Level (0~127) —Output level.

83. Vib-Od-Rotary

This eect combines an overdrive and a rotary with Vibrato/Chorus.

The vibrato eect cyclically modulates the pitch of organ sounds

(which is not the same as the Rotary eect). The chorus eect mixes

the normal sound of the organ with a sound to which vibrato has

been applied, adding richness and spaciousness to the sound.

z Vibrato Chorus Switch (O, On) —Turns the Vibrato Chorus on/

o.

z Vibrato Chorus Type (V-1, V-2, V-3, C-1, C-2, C-3) — V-1, V-2,

V-3: This applies vibrato (pitch modulation). Increasing the value

will produce a deeper eect.

Roland BK-9 Tone Drum Kit List Seite 60

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