Bedienungsanleitung Roland BK-9 Tone Drum Kit List (Seite 59 von 64) (Englisch, Holländisch)

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MFX types and parameters

and right channels.

z EQ Low Gain (–15dB~0~15dB) —Gain of the low frequency

range.

z EQ High Gain (–15dB~0~15dB) —Gain of the high frequency

range.

z Balance (D100:0W, D50:50W, D0:100W) —Volume balance

between the direct (D) and the eect sound (W).

z Level (0~127) —Output level.

75. Tape Echo

A virtual tape echo that produces a realistic tape delay sound.

This simulates the tape echo section of a Roland RE-201 Space Echo.

z Mode (S, M, L, S+M, S+L, M+L, S+M+L) —Combination of

playback heads to use. Select from three dierent heads with

dierent delay times. S: short, M: middle, L: long.

z Repeat Rate (0~127) —Tape speed. Increasing this value will

shorten the spacing of the delayed sounds.

z Intensity (0~127) —Amount of delay repeats.

z Bass (–15dB~0~15dB) —Boost/cut for the lower range of the

echo sound.

z Treble (–15dB~0~15dB) —Boost/cut for the upper range of the

echo sound.

z Head S Pan (L64~0~63R)

z Head M Pan (L64~0~63R)

z Head L Pan (L64~0~63R) —Independent panning for the short,

middle and long playback heads.

z Tape Distortion (0~5) —Amount of tape-dependent distortion

to be added. This simulates the slight tonal changes that can be

detected by signal-analysis equipment. Increasing this value will

increase the distortion.

z Wow/Flutter Rate (0~127) —Speed of wow/utter (complex

variation in pitch caused by tape wear and rotational

irregularity).

z Wow/Flutter Depth (0~127) —Depth of wow/utter.

z Echo Level (0~127) —Volume of the echo sound.

z Direct Level (0~127) —Volume of the original sound.

z Level (0~127) —Output level.

76. LoFi Noise

In addition to a lo- eect, this adds various types of noise such as

white noise and disc noise.

z LoFi Type (1, 2, 3, 4, 5, 6, 7, 8, 9) —Degrades the sound quality.

The sound quality grows poorer as this value is increased.

z Post Filter Type (OFF, LPF, HPF) —Type of lter. OFF: no lter is

used. LPF: cuts the frequency range above the Cuto value. HPF:

cuts the frequency range below the Cuto value.

z Post Filter Cuto (200~8000, Bypass) —Center frequency of

the lter.

z W/P Noise Type (White, Pink) —Switch between white noise

and pink noise.

z W/P Noise LPF (200~8000, Bypass) —Center frequency of the

low pass lter applied to the white/pink noise (BYPASS: no cut).

z W/P Noise Level (0~127) —Volume of the white/pink noise.

z Disc Noise Type (LP, EP, SP, RND) —Type of record noise. The

frequency at which the noise is heard depends on the selected

type.

z Disc Noise LPF (200~8000Hz, Bypass) —Adjusts the cuto

frequency of the low pass lter applied to the record noise.

If you don’t want to lter out any high frequencies, set this

parameter to BYPASS.

z Disc Noise Level (0~127) —Volume of the record noise.

z Hum Noise Type (50Hz, 60Hz) —Frequency of the hum noise.

z Hum Noise LPF (200~8000Hz, Bypass) —Center frequency of

the low pass lter applied to the hum noise (BYPASS: no cut).

z Hum Noise Level (0~127) —Volume of the hum noise.

z EQ Low Gain (–15dB~0~15dB) —Gain of the low frequency

range.

z EQ High Gain (–15dB~0~15dB) —Gain of the high frequency

range.

z Balance (D100:0W, D50:50W, D0:100W) —Volume balance

between the direct (D) and the eect sound (W).

z Level (0~127) —Output level.

77. LoFi Comp

This is an eect that intentionally degrades the sound quality for

creative purposes.

z Pre Filter Type (1, 2, 3, 4, 5, 6) —Selects the type of lter applied

to the sound before it passes through the Lo-Fi eect.

z LoFi Type (1, 2, 3, 4, 5, 6, 7, 8, 9) —Degrades the sound quality.

The sound quality grows poorer as this value is increased.

z Post Filter Type (OFF, LPF, HPF) —Type of lter. OFF: no lter is

used. LPF: cuts the frequency range above the Cuto value. HPF:

cuts the frequency range below the Cuto value.

z Post Filter Cuto (200~8000, Bypass) —Basic frequency of the

Post Filter.

z EQ Low Gain (–15dB~0~15dB) —Gain of the low frequency

range.

z EQ High Gain (–15dB~0~15dB) —Gain of the high frequency

range.

z Balance (D100:0W, D50:50W, D0:100W) —Volume balance

between the direct (D) and the eect sound (W).

z Level (0~127) —Output level.

78. LoFi Radio

In addition to a Lo-Fi eect, this eect also generates radio noise.

z LoFi Type (1, 2, 3, 4, 5, 6, 7, 8, 9) —Degrades the sound quality.

The sound quality grows poorer as this value is increased.

z Post Filter Type (OFF, LPF, HPF) —Type of lter. OFF: no lter is

used. LPF: cuts the frequency range above the Cuto value. HPF:

cuts the frequency range below the Cuto value.

z Post Filter Cuto (200~8000, Bypass) —Basic frequency of the

Post Filter.

z Radio Detune (0~127) —Simulates the tuning noise of a radio.

As this value is raised, the tuning drifts further.

z Radio Noise Level (0~127) —Volume of the radio noise.

z EQ Low Gain (–15dB~0~15dB) —Gain of the low frequency

range.

z EQ High Gain (–15dB~0~15dB) —Gain of the high frequency

range.

z Balance (D100:0W, D50:50W, D0:100W) —Volume balance

between the direct (D) and the eect sound (W).

z Level (0~127) —Output level.

79. Telephone

This eect simulates the tonal character of a telephone

transmission.

z Voice Quality (0~15) —Audio quality of the telephone voice.

z Treble (–15dB~0~15dB) —Bandwidth of the telephone voice.

z Balance (D100:0W, D50:50W, D0:100W) —Volume balance

between the direct (D) and the eect sound (W).

z Level (0~127) —Output level.

Roland BK-9 Tone Drum Kit List Seite 59

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