Bedienungsanleitung Yamaha CLP-611 (Seite 35 von 72) (Englisch)

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CLP-811/611 Configuration Functions (FUNCTION mode)

Subfunctions

6.1 ****** (Organ type) [ Where “******” is replaced by

the type name, such as “JAZZ ORGAN1”. If the selected

type has been edited, a “*” appears after the name.]

Values: JAZZ ORGAN1, JAZZ ORGAN2, JAZZ OR-

GAN3, JAZZ 16 '1', BASIC 16 '8', THEATER 16',

OLD ORGAN, WONDERFUL

Default: JAZZ ORGAN1

6.2 VoiceEdit (Voice edit settings)

Each voice allows you to set independent volumes for eight

continuous tones and three decaying attack tones. You can also

set a response time (for the continuous tones) and an attack

length (for the decay tones).

Tones and Volumes

• The 8-foot stop sets the volume for the fundamental tone.

The 4-foot, 2-foot, and 1-foot stops respectively set volumes

for the overtones that are one octave, two octaves, and three

octaves up. The 16-foot stop sets the volume for the tone that

is one octave lower than the fundamental tone.

Response Time and Attack Length

Procedure

1 Go to the [6.2 VoiceEdit] screen, and then press SONG

SELECT [▼] or [▲] to move into the editing component.

The screen displays a bar graph. Each bar corre-

sponds to a different parameter, and can be set to any

of eight levels.

2 You can now use SONG SELECT [▼], [▲] to move from

bar to bar, and the [+/YES] and [-NO] buttons to change

the bar levels. The currently selected bar is displayed in

blinking mode.

3 When you are finished editing, you can press [t] or [s]

to move to another subfunction.

Edit parameters are as follows.

Footage 16' (Continuous-tone volume)

Footage 8' (Continuous-tone volume)

Footage 5+1/3' (Continuous-tone volume)

Footage 4' (Continuous-tone volume)

Footage 2+2/3' (Continuous-tone volume)

Footage 2' (Continuous-tone volume)

Footage 1+1/3' (Continuous-tone volume)

Footage 1' (Continuous-tone volume)

Response (Response time for continuous tones)

AtkFootage 4' (Decay-tone)

AtkFootage 2+2/3' (Decay-tone)

AtkFootage 2' (Decay-tone)

AtkLength (Length of decay tones)

6.3 AtkMode (Attack mode)

This parameter sets the attack mode for the organ voice

selected by subfunction 6.1. Choose either of the following.

EACH: Apply attack tones to all notes. (This is the

default.)

FIRST: Apply attack tones only to the first held note of

any note combination (legato sequence). If at

least one key is down, all subsequent keys are

produced without attack tones.

6.4 RotSP.Spd (Speed of rotary-speaker effect)

6.5 RotSP.Dpt (Depth of rotary-speaker effect)

Values: 0,...,20

Default: Varies according to organ type

These parameters set up the rotary-speaker effect. The speed

setting selects the speaker’s rotation speed. The depth setting

selects the intensity of the effect.

6.6 ResetOK? (Return to factory defaults.)

Press [+/YES] to return all of the edit settings for the selected

voice type to their factory defaults.

NOTE

As a shortcut, you can switch directly into

FUNCTION mode’s F6.OrganEdit area by

holding down the [ORGAN COMBINATION]

button and pressing [FUNCTION]. When you

are ready to exit from FUNCTION mode, press

[FUNCTION] once again.

BRILLIANCE

REVERB

NORMAL

ROOM

EFFECT TOUCH

MEDIUM

TEMPO

16'

5+1/3'

2+2/3' 2+2/3'

Footage

Response AtkLength

1+1/3'

4' 2'

AtkFootage

Each parameter (each bar on the graphic) can be set to any of eight levels.

Selected bar flashes on and off.

16'

Continuous tones Decay tones

4-foot

2+2/3-foot

2-foot

4-foot

2+2/3-foot

2-foot

1+1/3-foot

1-foot

16-foot

8-foot

5+1/3-foot

Volume

Time

Attack length

Longer attack length →

Greater response time →

Volume

Time

Continuous Tone Decay Tone

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