Bedienungsanleitung Yamaha CS1X (Seite 31 von 64) (Englisch)

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Settings:

ATK TIME (Attack Time): -63 ~ +63

DCY TIME (Decay Time): -63 ~ +63

SUS LEVEL (Sustain Level): -64 ~ +63

REL TIME (ReleaseTime): -63 ~ +63

■ LFO (Low Frequency Oscillator)

This sets the parameters for the LFO (Low Frequency Oscillator).

The LFO is an oscillator that generates low frequency signals

used to modulate certain aspects of the sound such as pitch,

volume or filter level. There are six parameters: AMOD

(Amplitude Modulation), PMOD (Pitch Modulation), FMOD (Filter

Modulation), WAVE, SPEED and PHASE INIT.

AMOD (Amplitude Modulation): Adds a cyclical change to the

volume level by applying LFO frequency modulations, to create a

tremolo effect. Larger values widen the range of the volume

change.

PMOD (Pitch Modulation): Adds a cyclical change to the pitch

by applying LFO frequency modulations, to create a vibrato

effect. Larger values widen the range of the pitch change.

Amplitude Modulation Pitch Modulation

Filter Modulation Wave

Speed Phase Init

Key On Key Off

ATK TIME REL TIMEDCY TIME

SUS

LEVEL

TIME

VOLUME

Layer Edit 2 (independently applied to each Layer)

The functions in this row provide parameters which are essential

in creating a voice, such as AEG (Amplitude Envelope Generator)

and LFO (Low Frequency Oscillator). The parameters can be set

for each Layer in a Performance.

■ AEG (Amplitude Envelope Generator)

This sets the AEG (Amplitude Envelope Generator). The AEG lets

you shape how the volume level changes over time, from when

a key is hit, then released, and how the sound decays. There are

four parameters: ATK TIME (Attack Time), DCY TIME (Decay Time),

SUS LEVEL (Sustain Level) and REL TIME (Release Time).

Each musical instrument has a unique envelope curve

which plays an important role in determining its sound characteristics.

The AEG simulates the change of the volume envelope curve over

time.

Depending on the voice selected, changing certain

parameters may not produce a noticeable effect.

ATK TIME (Attack Time): Determines the time required for a

sound to reach its maximum volume level when a note is

played.

DCY TIME (Decay Time): Determines the time required for a

sound to reach its Sustain Level from a maximum volume level

while the key is held.

SUS LEVEL (Sustain Level): Sets the Sustain Level. The volume

will be maintained at this level for as long as the key is held.

REL TIME (Release Time): Determines the time it takes for a

sound to sustain after the key has been released.

Attack Time Decay Time

Sustain Level Release Time

NOTE

PERFORMANCE MULTI

DEMO

STORE UTILITY

BANK

ATK

TIME

ATK

TIME

PROGRAM

SYSTEM MIDI ASSIGN

DCY

TIME

DCY

TIME

VOLUME

LFO

PEG

AEG

FEG

SUS

LEVEL

DCY

LEVEL

PAN

REL

TIME

REL

TIME

REV

SEND

AMOD

INIT

LEVEL

CHO

SEND

PMOD

ATK

TIME

EFFECT VARI

SEND

FMOD

ATK

LEVEL

CUTOFF

FILTER

WAVE

DCY

TIME

REZ

SPEED

REL

TIME POLY/

MONO

PHASE

INIT

REL

LEVEL

LAYER

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Yamaha CS1X Seite 31

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