Bedienungsanleitung Yamaha CS1X (Seite 32 von 64) (Englisch)

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FMOD (Filter Modulation): Adds a cyclical change to the filter

cutoff frequency by applying LFO frequency modulations, to

create wah-wah type effects. Larger values widen the range of

cutoff frequency change.

WAVE: Selects the LFO frequency signal used for modulation.

You can select from the following types:

SPEED: Sets the speed of the LFO frequency modulation. Larger

values increase the speed.

PHASE INIT: Determines if the phase of the LFO frequency

modulation wave is reset or not when a note is played. There

are three types: Free, Retr (Retrigger) and Elem (Element).

Free: The wave starts at the phase position where a note is played.

TIME

KEY ON

–

TIME

–

Retr (Retrigger): The wave starts at +/-0 phase position.

Phase when

keyboard is

played

KEY ON

Elem (Element): The wave starts from the default phase position (Free or Retr) for

each element of the voices.

TIME

SLOW

FAST

TIME

Saw (Sawtooth)

Tri (Triangle)

S&HTr (Sample &

Hold = random)

*S&HTr = Adds random changes to the pitch.

(NOTE: Triangle waves will be applied for the AMOD and FMOD.

Triangle wave is applied even if you select S&HTr for PMOD, when

controlling the PMOD with the Modulation Wheel.)

ELEM (Element)

*Default settings of each element depending on the selected voice.

TIME

Settings:

AMOD (Amplitude Modulation): -31 ~ +31

PMOD (Pitch Modulation): -63 ~ +63

FMOD (Filter Modulation): -15 ~ +15

WAVE: Saw, Tri , S&HTr, Elem

SPEED: -63 ~ +63

PHASE INIT: Free, Retr, Elem

Layer Edit 3 (independently applied to each Layer)

The functions in this row provide parameters which are essential

in creating a voice, such as FEG (Filter Envelope Generator) or

PEG (Pitch Envelope Generator). The parameters can be set for

each Layer in a Performance.

■ FEG (Filter Envelope Generator)

This sets the FEG (Filter Envelope Generator). The FEG lets you

shape how the tone, or timbre, of the voice changes over time,

from when a key is hit, then released, and how the sound

decays. There are four parameters: ATK TIME (Attack Time), DCY

TIME (Decay Time), SUS LEVEL (Sustain Level) and REL TIME

(Release Time).

Generally, filters change the timbre by passing signals

within a specific frequency bandwidth and cutting others. The CS1x

features an LPF (Low Pass Filter) which passes the signals below the

specified frequency point (cutoff frequency) and cuts the signals

above it (see page 34). The FEG simulates the change of the filter

envelope curve over time.

Depending on the voice selected, changing certain

parameters may not produce a noticeable effect.

NOTE

PERFORMANCE MULTI

DEMO

STORE UTILITY

BANK

ATK

TIME

PROGRAM

SYSTEM MIDI ASSIGN

DCY

TIME

VOLUME

PEGFEG SUS

LEVEL

PAN

REL

TIME

REV

SEND

INIT

LEVEL

CHO

SEND

ATK

TIME

EFFECT VARI

SEND

ATK

LEVEL

CUTOFF

FILTER

DCY

TIME

REZ

REL

TIME POLY/

MONO

REL

LEVEL

LAYER

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