Bedienungsanleitung Yamaha MOTIF8 (Seite 236 von 300) (Englisch)

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MOTIF Reference

Sampling Record mode

Reference Sampling mode

■ [F2] Sampling Source settings

The explanations here apply to step #5 of the Basic

Procedure on page 234.

• Type

Determines the Sampling type. When entering the

Sampling mode from the Song/Pattern mode, the data

created by the Sampling varies depending on this setting.

Keep in mind that this parameter is ﬁxed to “sample”

when entering the Sampling mode from the Voice/

Performance mode.

❏ Settings sample, sample + note, slice + seq

sample

Only the sample (wave) data is created.

sample + note

In addition to the sample data, the appropriate note data

for playing the sample is created and recorded to the

speciﬁed track.

slice + seq

The recorded sample is automatically divided into “slices,”

and these are assigned to successive notes on the keyboard.

These notes are then automatically arranged in sequence

data (to the speciﬁed track) for playback.

This is especially useful for rhythm samples. For example,

if you’ve recorded a drum part, each beat of the rhythm is

converted to a separate slice and a separate note, and the

notes are made into a sequence. In this way, playing back

the sequence data plays the entire rhythm sample. The

advantage to this is that you can then adjust the tempo of

the sequencer over a wide range, and still keep the rhythm

perfectly in sync with the other tracks.

n Detailed settings (meter, measure number etc,) are

speciﬁed in the Slice display after sampling.

• Source

Determines the recording source.

❏ Settings

A/D

Analog audio from the A/D INPUT jacks or mLAN

terminal (with optional mLAN8E) is recognized as the

recording source.

resample

The signal (already recorded sample or preset wave)

output from the MOTIF's OUTPUT jacks is recognized as

a recording source and “resampled”.

Digital

Digital audio from the DIGITAL IN terminal or OPTICAL

IN terminal (with optional AIEB2) is recognized as the

recording source.

• Mono/Stereo

Determines whether new samples will be recorded as

stereo or mono samples.

❏ Settings

monoL

The L-channel signal will be recorded as a mono sample.

monoR

The R-channel signal will be recorded as a mono sample.

monoL+R

The L-channel and R-channel signals will be mixed and

recorded as a mono sample.

ster

A stereo sample will be recorded.

• Frequency (Sampling Frequency)

Speciﬁes the sampling frequency. The rate at which digital

readings are taken is referred to as the sampling frequency.

Higher sampling frequencies result in higher quality sound.

❏ Settings

44.1k (44.1 kHz), 22kLo (22.05 kHz Lo-Fi), 11kLo

(11.025 kHz Lo-Fi), 5kLo (5.5125 kHz Lo-Fi)

n When the Source is set to A/D and the mLAN

terminal is used as an analog input, the Frequency

is ﬁxed to 44.1 kHz and cannot be changed.

n At settings other than 44.1 kHz, the sound

monitored during recording may be different from

the recorded sound, depending on the source

signal.

Sample Voice

Assigned to a

specified key

Sequence data





Sample Voice

Assigned to a

specified key

Sequence data





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