Bedienungsanleitung Yamaha S30 (Seite 66 von 156) (Englisch)

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Voice Mode

GEN Other (General Other)

There are various parameters for Micro Tuning and for

controlling how the generated sound is output.

■Mode

Select monophonic or polyphonic playback.

Select whether the Voice is played back

monophonically (single notes only) or

polyphonically (multiple simultaneous notes).

❏Settings: mono, poly

■Assign

If you set Key Assign to “single,” the doubled

playback of the same note is prevented. The

synthesizer will terminate a note when the same

note is received again. If you select “multi,” the

synthesizer will consecutively assign each instance

of the same received note to a separate channel,

making multiple part tone generation possible.

❏Settings: single, multi

■MicroTuning

Set the Micro Tuning (tuning system, or temperament) used

for the Voice. Normally you would use “Equal Temperament”

but there are also 31 other tuning systems available.

❏Settings: (see the following list)

Type Key Comments

Equal temperament

No.

00 The “compromise” tuning used for most of

the last 200 years of Western music, and

found on most electronic keyboards. Each

half step is exactly 1/12 of an octave, and

music can be played in any key with equal

ease. However, none of the intervals are

perfectly in tune.

1/4 shifted28 This is the normal equal tempered scale

shifted up 50 cents.

Twenty–four equally spaced notes per

octave. (Play twenty–four notes to move one

octave.)

Werckmeister25

Kirnberger26

Vallotti & Young27

Pure major C~B01~12

Pure minor A~G# The same as Pure Major, but designed for

the minor scale.

Andreas Werckmeister, a contemporary of

Bach, designed this tuning so that keyboard

instruments could be played in any key.

Each key has a unique character.

Francescantonio Vallotti and Thomas Young

(both mid–1700s) divised this adjustment to

the Pythagorean tuning in which the first six

fifths are lower by the same amount.

Johan Philipp Kirnberber was also

concerned with tempering the scale to allow

performances in any key.

13~24

This tuning is designed so that most of the

intervals (especially the major third and

perfect fifth) in the major scale are pure. This

means that other intervals will be

correspondingly out of tune. You need to

specify the key (C~B) you will be playing in.

1/4 tone29

Forty–eight equally spaced notes per octave.

(Play forty–eight notes to move one octave.)

1/8 tone30

Indian C~B31 Usually observed in the Indian music (white

keys [C~B] only).

GENíOther) Mode Assign MicroTuning

C 1234 poly single 31:Indian

Common Quick Edit

Various parameters control the sonic properties of the

Voice. There are four screens.

QED Level (Quick Edit Level)

QED EffectCtrl (Quick Edit Effect)

QED Filter (Quick Edit Filter)

QED EG (Quick Edit Envelope Generator)

QED Level (Quick Edit Level)

These parameters control the output level (volume)

and pan position of the Voice.

■Vol (Volume)

Set the output level of the Voice.

❏Settings: 0 ~ 127

■Pan

Set the stereo pan position of the Voice.

❏Settings: L63 (Left) ~ C (Center) ~ R63 (Right)

■RevSend (Reverb Send)

Set the Send level of the signal sent from Insertion

Effect 1/2 (or the bypassed signal) to the Reverb

effect.

❏Settings: 0 ~ 127

■ChoSend (Chorus Send)

Set the Send level of the signal sent from Insertion

Effect 1/2 (or the bypassed signal) to the Chorus

effect.

❏Settings: 0 ~ 127

QED EffectCtrl (Quick Edit Effect)

Set the amount of Chorus applied to the entire Voice.

■Chorus

Set an offset value for the parameters used by each

type of Chorus.

❏Settings: -64 ~ 0 ~ +63

QEDíEffectCtrl) Chorus

C 1234 +63

QEDíLevel) Vol Pan RevSend ChoSend

C 1234 127 C 127 127

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