Bedienungsanleitung Yamaha S90ES (Seite 183 von 204) (Englisch)

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About MIDI

183

Owner’s Manual

Appendix

■ Program Change

Messages that determine which voice to select for each

Part. With a combination of Bank Select, you can select not

only basic voice numbers, but also variation voice bank

numbers.

For a list of the Voices, see the separate Data List.

n Keep in mind that the programs of the S90 ES are numbered

starting with 1. This means that when you use MIDI program

change numbers 0 - 127, you will have to subtract 1 from the S90

ES program to determine the correct MIDI program change

number. (For example, to call up program number 128 on the S90

ES you will have to specify MIDI program change number 127.)

■ Pitch Bend

Pitch Bend messages are continuous controller messages

that allow the pitch of designated notes to be raised or

lowered by a speciﬁed amount over a speciﬁed duration.

■ Channel Aftertouch

Messages which let you control the sounds by the pressure

you apply to the keys after the initial striking of the keys,

over the entire channel.

■ Polyphonic Aftertouch

Messages which let you control the sounds by the pressure

you apply to the keys after the initial striking of the keys, for

each individual key. This synthesizer does not transmit this

data from the keyboard.

System Messages

System messages are the data related to the overall

system of the device.

■ System Exclusive Message

System Exclusive messages control various functions of

this synthesizer, including master volume and master

tuning, tone generator mode, effect type and various other

parameters.

General MIDI (GM) System On

When a “General MIDI system on” message is received,

the instrument will receive MIDI messages which are

compatible with GM System Level 1. When the instrument

receives the GM System On, each receive channel of Parts

1-16 (in a Multi) will be assigned to “1- 16."

F0 7E 7F 09 01 F7 (Hexadecimal)

n Make sure that the interval between this message and the ﬁrst note

data of the song is at least a quarter note or greater in length.

MIDI Master Volume

When received, the Volume MSB will be effective for the

System Parameter.

* mm (MSB) = appropriate volume value, ll (LSB) = ignored

F0 7F 7F 04 01 ll mm F7 (Hexadecimal)

Mode Change

When received, the mode of the S90 ES will be switched.

* n = Device Number (page 166)

* m = 0, 1, or 3 (0: Voice mode, 1: Performance mode, 2: not

available, 3: Multi mode, 4: Master)

F0 43 1n 7F 01 0A 00 01 0m F7 (Hexadecimal)

■ System Realtime Messages

These messages control the sequencer.

Active Sensing (FEH)

Once FEH (Active Sensing) has been received, if no MIDI

data is subsequently received for longer than an interval of

approximately 300 msec, the S90 ES will perform the same

function as when All Notes Off and Reset All Controllers

messages are received, and will then return to a status in

which FEH is not monitored.

Timing Clock (F8H)

This message is transmitted with a ﬁxed interval to

synchronize connected MIDI instruments. You can select

whether the S90 ES uses the internal Timing Clock, or

external Timing Clock messages received via MIDI IN by

setting the MIDI Sync parameter: [UTILITY]

→ MIDI

display

→ “MIDI Sync.”

Start (FAH)

This message lets the MIDI sequence data start playing

back from the beginning. This message will be transmitted

when pressing the [F6]F(Play) button at the top of the

MIDI song ﬁle.

Continue (FBH)

This message lets the MIDI sequence data start playing

back from the current song position. This message will be

transmitted when pressing the [F6]F(Play) button at the

middle of the MIDI song ﬁle.

Stop (FCH)

This message causes MIDI sequence data (song) to stop

playing back. This message will be transmitted when

pressing the [F6]J(Stop) button while playing back the

MIDI song ﬁle.

n You can select whether this synthesizer will transmit Timing Clock,

Start, Continue, and Stop messages by setting the SeqCtrl

parameter: [UTILITY] → [F5] MIDI → [SF3] SYNC → SeqCtrl.

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